Thursday, January 5, 2012

And I don't feel any different; or, BS does New Years

First of all: I am not going to make any jokes about the Apocalypse. I am sick to death of the word "Apocalypse" at this point. Since I am, in general, very interested in eschatological scenarios, this is a clear sign of how saturated our culture has become with end-of-world predictions of late. The world will not end in December 2012, and if it does, at least people will stop talking about how this is the year the Apocalypse is going to happen. Finally.

The New Year was rung in quietly at the BS household (that is, in my apartment): Mom drove me back to Chicago, since I refused to celebrate another New Year's Eve in my tiny hometown, and, since my roommate was working late for the holiday, we sat on the couch and snacked on apples and cheese and watched the 2009 BBC Emma. All four hours of it. I didn't get blitzed at some divey bar and I didn't watch the ball drop in Times Square--although at midnight someone in my neighborhood began setting off fireworks--because with every year that passes, New Year's Eve just makes me feel increasingly old. I mean, obviously, in terms of years spent on this earth, of course I get older every year, but now, where I used to be able to stay up till all hours drinking bottles of cheap red wine with friends and talking about which composers we'd most like to invite to a dinner party (Schubert, obviously, and maybe Puccini but definitely not Wagner), now just the merest idea of getting dressed up and going to some club to dance exhausts me. Graduate school, you have robbed me of my youth!

I have made a few New Year's resolutions, for once:
  • Aided by Wii Fit, Zumba for Wii, and living in city of pedestrians, work out at least 4 times a week.
  • Eat meals. Actual meals. Made of actual food. A spoonful of peanut butter does not count.
  • And, most importantly--in the immortal words of The Specials (and Prince Buster before them, and Guy Lombardo first): "Enjoy yourself, it's later than you think."

One thing I have been enjoying, and immensely, is reading. A good friend of mine, Lindsey, occasionally lends me a paper bag full of books she has read and enjoyed, and while in college/grad school I never got around to reading as many of those books as I meant to--although, through Lindsey's recommendations, I discovered several wonderful books I might have otherwise not looked twice at, like Neil Gaiman's American Gods or The Time Traveller's Wife (which was gorgeous, but terribly sad). At the moment, she has me reading The Elegance of the Hedgehog and it is SO FRENCH: the two main characters, whose shared occupation seems to be musing about the meaninglessness of life and the beauty found in simple things, have just had their first face-to-face interaction--nearly two hundred pages in. And I love it! It is a translation, albeit a very good one, and I would like to one day read it in the original French, as well as Muriel Barbery's first book, Gourmet Rhapsody (I have just looked up the book on Wikipedia to determine the correct spelling of Mme. Barbery's name, and, of course, she is a professor of philosophy, which is unsurprising, given the content and tone of the novel). A couple of reviews I came across dismissed The Elegance of the Hedgehog as "pretentious," or of being devoid of actual plot, but I, for one, don't find this problematic, especially when considering the alternative; Dan Brown's The Da Vinci Code and Angels and Demons certainly have a lot going on but, when you get down to it, they are basically glorified self-insert fan fiction, where Dan Brown invents for his alter ego the discipline of "Symbology" (I always think of The Boondock Saints and Willem Dafoe here: "I think the word you're looking for is symbolism. What is the ssssssymbolism here?") and concocts improbable, if readable, stories in which he traipses across the globe with attractive women in whose presence he can display his considerable . . . ahem . . . knowledge. So, yes, with that in mind, I have no issue with reading an introspective, philosophical novel every now and again, between my re-readings of the Song of Ice And Fire series and Jane Austen's comedies of manners. And besides, what semi-intelligent person who paid attention in college writing classes doesn't cringe when someone grossly abuses grammar or selects the wrong your/you're, even when jotting a brief note?

I'm not a snob, really, I promise. I just love words, and I paid attention in school for twenty-one years, even when my grades (Music Theory) didn't reflect it.

But what else? I have been knitting and sewing like a fiend; during the month of December break I finished six projects, and an seventh upon returning to Chicago in the New Year. I have just cast on for a hat that I don't need, and will probably frog in the morning, but I need something to do with my hands to burn off all of this nervous energy. I finished a purse whose main panel features a tsunami print, of which I am immensely proud. It holds, at the very least, two books, my wallet and checkbook, a knitting project, and a bottle of wine, all without becoming unbearably heavy. Soon I plan to begin making headbands/earwarmers like the ones I have seen everyone wearing this season, with a knitted flower (I can't crochet, I'm sorry, it's a personality defect or something) and a button in the back. I do have those buttons I never managed to use in any of my projects . . .

So that's my life. I am busy. The things going on around me often seem surreal, but this is probably due to the fact that grown-up life moves so quickly, and, to keep up, I always seem to be running, running, running, phoning orchestras in Europe and putting the kettle on for another cup of tea before dashing off to a voice lesson or opera rehearsal. After four months of what felt like complete stasis, it is comforting to have settled into a routine and gained momentum. Life is good, for now.