Monday, March 5, 2012

A Degree in Calamity; or, BS's continued adventures in narrowly-averted disaster

Every performer, I have been told, has a recurring nightmare in which one finds oneself in the middle of a performance for which one is thoroughly unprepared.

This nightmare scenario just happened to me In Real Life.

In early November, I applied to participate in NATSAA (the National Association of Teachers of Singing Artist Award), a biennial competition requiring vocalists to prepare an hours' worth of repertoire meeting a series of requirements relating to language, stylistic period, and composition date. The District competition was scheduled to take place on the 25th of February, allowing ample time for the competition's organizers to collect and review applications and make preparations for the event. This is, for the most part, what happened. 

Until the informational e-mail sent out in mid-January was eaten by the internet. This e-mail included, among other details relating to the event, the vital information that singers were to provide their own accompanists for the District and Regional auditions. It never arrived--was never even filtered into my Spam folder--so I did not receive this information until February 22. Three days before the competition

At this point I feel that it is important for me to point out that this type of crazy random happenstance is fairly typical of my luck--if there is a pit in the cherry pie or an eggshell in the brownie batter, that slice of pie or brownie usually finds its way to my plate. So, really, given my history, I probably should have expected something along the lines of an e-mail containing crucial information disappearing into the vastness of the internet and reached out to The Powers That Be much earlier. However, I did not. Instead, I waited. And then I had a crisis.

In the end, it took me all of about four hours to find a pianist--and, thank goodness, I found one who was  both willing to and capable of learning a recital program's worth of incredibly difficult music (Ravel and Marx and Barber, oh my!) in a span of 24 hours. We ended up winning Districts and, although I didn't win Regionals, the judges were very positive and encouraging. And so, NATSAA, I will see you again in two years, when I will no longer be the youngest competitor by a margin of 4-5 years.

My mother, who was a witness to this entire situation as it unfolded (including many tearful phone calls and a particularly harrowing last-minute search for a copy of Handel's Messiah), has offered the following advice: "Get used to it. You chose this life. Also, maybe you should start looking for a copy of the music you need before the day of a competition." Words to live by.